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The West Indies’ ascendancy coincided with a period of increased activism by Britain’s black communities. The Windrush generation, the first set of Caribbean migrants to enter these shores en masse, were amenable. They had been ‘hunted’ down by the British. Post-war prosperity meant that Britain did not have enough workers, or at least enough willing workers to fulfil labour-market shortages in the new NHS, in transport. So, they sold the ‘British Dream’ to Caribbean citizens. The prospect of a new life, a better life. Britain did not have to pay for their schooling, their health or their housing up to that point. They were ‘ready-made workers’. But Britain was not prepared for its new arrivals. Didn’t think they needed to adjust. Wanted them to integrate. No questions asked. Shut up, be happy. All the run-down places and spaces that the now affluent white working-class people had vacated were now populated by the emergent Caribbean community.

For many of the Windrush generation, England had not been a dream. By the early seventies, opportunities and living conditions for their children had not vastly improved either. Jamaican-born poet Linton Kwesi Johnson encapsulated how many black people felt throughout the seventies when he sang ‘Inglan is a bitch’. Two generations were fed up. Fed up of being forced to integrate without a say, to de-colourise; fed up of poor working conditions, fed up of poor schooling, poor housing; fed up of having to minimise to progress.

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