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It was probably inevitable the division would initially receive attention for negative reasons, considering the problems of the 1980s, but as reports explained Cantona’s background, they introduced viewers to the most intriguing character in English football, someone who clearly bucked the stereotype. British newspapers went to town: the Sun featured the incident on their front page two days running, on the second with a panel reading ‘The Shame of Cantona: Full story pages 2, 3, 4, 5, 6, 22, 43, 44, 45, 46, 47 & 48’. The Premier League was big news. After Cantona successfully appealed against a two-week prison sentence for his attack, he reluctantly attended a press conference, where he slowly, thoughtfully told the assembled press: ‘When the seagulls … follow the trawler … it’s because they think … sardines … will be thrown into the sea. Thank you very much.’ He then stood up, shook the hand of his lawyer and swiftly departed to stunned laughter.

The crucial factor in Cantona’s image, however, was that he wasn’t simply different to every other Premier League player in terms of personality; he was also different to every other Premier League player in terms of footballing style. The references to philosophers and artists worked precisely because he was a footballing genius who boasted guile, creativity and unpredictability. He thrived upon space between the lines and was a creator as much as a goalscorer, boasting the Premier League’s best-ever assists-per-game record. He loved chipping goalkeepers, he casually rolled home penalties, and he produced a succession of outside-of-the-foot flicks and elaborate, stabbed, dinked passes to teammates.

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