Читать книгу The Sea: Its Stirring Story of Adventure, Peril, & Heroism (Vol. 1-4). The History of Sea Voyages, Discovery, Piracy and Maritime Warfare онлайн

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One little anecdote, and the Chinese must be left to their fate. It happened in 1869. Two Chinese merchants had been invited by one of the heads of a leading steamship company to visit the theatre, where they had taken a box. The merchants, men of high standing among their countrymen, accepted. Their appearance in front of it was the signal for an outburst of ruffianism on the part of the gallery; it was the “gods” versus the celestials, and for a time the former had it all their own way. In vain Lawrence Barrett, the actor, came forward on the stage to try and appease them. He is supposed to have said that any well-conducted person had a right to his seat in the house. An excited gentleman in the dress-circle reiterated the same ideas, and was rewarded by a torrent of hisses and caterwauling. The Chinamen, alarmed that it might result in violence to them, would have retired, but a dozen gentlemen from the dress-circle and orchestra seats requested them to stay, promising them protection, and the merchants remained. They could see that all the better and more respectable part of the house wished them to remain. After twenty or more minutes of interruption, the gallery was nearly cleared by the police, and the performance allowed to proceed. And yet the very class who are so opposed to the Caucasian complain that he does not spend his money in the country where he makes it, but hoards it up for China. The story explains the actual position of the Chinaman in America to-day. The upper and middle classes, ay, and the honest mechanics who require their assistance, support their claims; the lowest scum of the population persecute, injure, and not unfrequently murder them. Many a poor John Chinaman has, as they say in America, been “found missing.”