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It was better to concentrate attention on something harmless. The museum had full luxurious and elegant items. Pipe tubes, musical instruments, capes and hats, decorated with feathers of a wide variety of birds. In one of the halls, even the golden gondola was equally placed. Velvet’s shrink was raised, and two discarded devil masks could be seen on the seat. They were very luxurious, framed purple feathers. But even they were not frightened as the masks of marine creatures. Instead of the gondoller on the nose stood the stuffed of the same sea deity in a dark cape and with an oars in the form of a water snake. Vivern – so called someone at the entrance. Claire carefully looked at it and seemed to see something vaguely familiar in it.

Sheets were lying on the stern with the words of ancient barcarol, and some parchments, similar to spells or a contract with the devil.

If it would not be an abundance of old exhibits, Clair would call the luxurious building as the horror gallery. It reminded a palace. Gilded door flaps were all open, and she could wander here for hours. But it was worth a look at some subject, for example, exquisite scheduling in the shape of a siren on the wall, and some sinister detail immediately rushed into the eyes, like seafood skulls in wells for candles. Hourglass was supported by sea skates with angrily sparkling eyes, Venice’s views on the walls were overshadowed by predatory mermaids, embittered in the bottom of the gondola, sailing over its head. Some mermaids have joined the ship, pulling out entire boards from them, others watched people from the channels. Nobody imagined such Venice. Even Claire. With all her rich imagination, she could not diversify the usual Morina with such terrible details, combine the embittered world of mythical creatures and a city with channels renovated by people. The spirits of the elements, were angry at it. Or at all who lived in it?

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