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Of course, this was evidently for the benefit of society, but it was certainly one of those cases where the poetical suffers for the practical. I comforted myself in my despondency, by looking over at the old stone piers underneath, which were indisputably the same. We drove now through beautiful grounds, and alighted at an elegant mansion, which in former days belonged to Lockhart, the son-in-law of Scott. It was in this house that Old Mortality was written.

As I was weary, the party left me here, while they went on to see the Duke of Hamilton's grounds. Our kind hostess showed me into a small study, where she said Old Mortality was written. The window commanded a beautiful view of many of the localities described. Scott was as particular to consult for accuracy in his local descriptions as if he had been writing a guide book.

He was in the habit of noting down in his memorandum book even names and characteristics of the wild flowers and grasses that grew about a place. When a friend once remarked to him, that he should have supposed his imagination could have supplied such trifles, he made an answer that is worth remembering by every artist—that no imagination could long support its freshness, that was not nourished by a constant and minute observation of nature.

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