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The Codex Mendoza: new insights
Authors: Jorge Gómez Tejada1, Davide Domenici2, Chiara Grazia3, David Buti4, Laura Cartechini5, Francesca Rosi5, Francesca Gabrieli5, Virginia María Lladó-Buisán6, Aldo Romani3, Antonio Sgamellotti7, Constanza Miliani8, B. C. Barker-Benfield6, Diana Magaloni9, Mary Ellen Miller10, Claudia Brittenham11, Frances F. Berdan12, Barbara E. Mundy13, Daniela Bleichmar14, Todd P. Olson15, Carmen Fernández-Salvador1, Joanne Harwood16, Lucien Sun11
1Universidad San Francisco de Quito USFQ, Quito, Ecuador; 2Dipartimento di Storia Culture Civilt , Universit di Bologna, Italy; 3Centro di Eccellenza SMAArt (Scientific Methodologies applied to Archaeology and Art), Dipartimento di Chimica, Biologia e Biotecnologie, Universit di Perugia, Italy; 4CNR-ISPC (Istituto di Scienze del Patrimonio Culturale), Florence, Italy; 5CNR–SCITEC (Istituto di Scienze e Tecnologie Chimiche "Giulio Natta"), Perugia, Italy; 6Head of Conservation & Collection Care, The Bodleian Libraries, University of Oxford, United States of America; 7Accademia dei Lincei, Roma, Italia; 8CNR-ISPC (Istituto di Scienze del Patrimonio Culturale), Naples, Italy; 9Los Angeles County Museum of Art/Universidad Nacional Autónoma de México; 10Getty Research Institute, United States of America; 11University of Chicago, Illinois, United States of America; 12University of California, San Bernardino, United States of America; 13Tulane University, New Orleans, United States of America; 14University of Southern California, Los Angeles, United States of America; 15University of California, Berkeley, United States of America; 16Independent researcher