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That is how present-day Chinese kempō developed in a long historical process out of different schools and styles of fighting without weapons which influenced each other. But there is no doubt that Chinese heroism in general was inspired by the monks of the two Shaolin monasteries. Like the monks of the Japanese Hieizan monastery at the end of the medieval times they took up arms and intervened in the secular world.

So did Minamoto no Yoshitsune and Musashi Bō Benkei at the end of the Heian period (794-1185) in Japan. Yoshitsune, who as a child was called Ushiwaka-maru, lived in the Kurama monastery north of the capital Kyōto. He studied esoteric Buddhist teachings (mikkyō)22,and started to practice fighting techniques. He was said to have been taught martial arts by the long-nosed mountain spirit of Kurama called Dai Tengu23. To strengthen his body he walked every day from the Kurama mountains to the center of the capital. Once he encountered the fearsome warrior monk Benkei on the Gojō bridge of Kyōto. In a great fight he achieved a victory over him.24 This episode is widely known in Japan because it is part of a famous kabuki25 theater play.

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