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Drawing a Circle With a Straight Line

In Chinese kempō, the basic movement is the circle. In boxing and kickboxing, too, all kicks and punches are carried out as circular movements. Under the influence of these techniques in the post-war era, the karate movements have become circular, too.

Some time ago a student showed me a book titled The Secrets of Okinawan Karate: Essence and Techniques written by Arakaki Kiyoshi. This author also had edited writings left by my father in the monthly journal Karate Dō as a series titled Karate Sankoku Shi. His book was very interesting to me. He wrote: “The essence of Japanese budō can be described as drawing a circle with a straight line.” I was very impressed by this sentence because it expresses with words what I feel with my whole body. In iaidō40 it can be well observed that the arms are drawing a straight line forward while the sword is carrying out a circle. That means that a straight line describes a circle. It is also true that the Jigen ryū “flame cloud” speed that is reached when the sword hits the target cannot be obtained with a circular movement alone. According to master Arakaki, the maximum energy generated by the circular motion is transferred to the target via a straight line that is the shortest possible distance. This technique of the Japanese budō represents the highest level of body perfection.

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