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Likewise, both Koryo poomsae, by virtue of their imprimatur, bear the stamp of pride imprinted by Korean history. These distinctive poomsae honor the technical, cultural, and philosophical innovations of the Koryo dynasty while celebrating its accomplishments with each consecutive performance. Why not then pay tribute to this golden past by awakening to the historical dimensions of these formal exercises?

Moreover, we feel Original Koryo should be recognized as an heirloom form containing many tactical strategies not found in subsequent poomsae. Therefore, it is important to note that the reintroduction of Original Koryo is not intended to subvert the practice and proliferation of Koryo as an entity for global competition in any way.

Clearly, the vast majority of us are not soldiers; if we were training in taekwondo merely to inflict injury we would enlist in the military and master the use of firearms. Yet taekwondo, at least in its orthodox form, is also not dance. So why relegate these poomsae simply to the level of physical motion within the spatial plane as is so often done in the modern dojang?

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