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Rene Ritchie would like to thank his teacher, Ngo Lui-Kay (Ao Leiqi) for sharing with him grandmaster Sum Nungs teachings of Yuen Kay-San’s art and for his continual support, encouragement, and assistance with this project and others. In addition, thanks to his classmates Antony Casella, Georgia Dow, David Johnson, Deon Weir, and Wilson Woo for all their assistance. Also, thanks to Yuen Jo-Tong, Y. C. Yeung, Dan Lam, Bud Shapard, and Michael Engle of the Yuen Kay-San style and to Jim Roselando and the many other Wing Chun enthusiasts he has had a chance to converse with over the years.

Thanks also to Kenny Fung for his help with Chinese language and culture. Lastly, special thanks to his co-authors and big martial brothers Robert Chu and Y. Wu for sharing with him their knowledge and widening his understanding of the many branches of the art.

INTRODUCTION

前言

When Bruce Lee first exploded on television and into the movies, he captured the imagination and hearts of people all over the world. With the fame of Bruce Lee, the conditions in Hong Kong, and the hard work and effort of many of his classmates, the Wing Chun of his teacher, Yip Man, became one of the most well-known and popular Chinese martial arts in the world. Although this gave Wing Chun international recognition, it also led to a lot of misconceptions. Due to a lack of authentic information, many mistakenly came to assume that the renowned Yip Man was the sole inheritor of the style and that his Wing Chun was the lone version of the art.

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