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As Wing Chun’s origins and development have remained relatively unknown, so has its true breadth. Inside the Bamboo Curtain of the People’s Republic of China, however, many branches including the Yuen Kay-San, Gu Lao, Pao Fa Lien, Jee Shim, Pan Nam, Hung Suen, Pien San, and even the early Foshan students of Yip Man survived the rise of communism and the Cultural Revolution. While the Yip Man style was brought to Hong Kong around 1950, the Yuen Kay-San, Pao Fa Lien, Pien San, and Jee Shim styles followed soon thereafter. Beyond China, Wing Chun spread into Southeast Asia over half a century ago and today many unique versions of the art can be found in Singapore, Malaysia, Vietnam, and surrounding areas.

Thus, it has been very difficult to find real information on the Wing Chun family of styles, especially in the western world.

Complete Wing Chun, presents, for the first time, seldom seen information on over a dozen branches of the Wing Chun art. It is hoped that this volume will serve as a helpful resource for the interested newcomer and as a valuable reference for the long-time enthusiast.

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