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The third stage, the stage of artlessness, occurs when, after years of serious and hard practice, he realizes that, after all, gung fu is nothing special and instead of trying to impose his mind on the art, he adjusts himself to the opponent like water pressing on an earthen wall—it flows through the slightest crack. There is nothing to “try” to do but be purposeless and formless like water. Nothingness prevails; he no longer is confined.

These three stages also apply to the various methods being practiced in Chinese gung fu. Some methods are rather primitive with basic jerky blocking and striking. On the whole, they lack the flow and change of combinations. Some “sophisticated” methods, on the other hand, tend to run to ornamentation and get carried away by grace and showmanship. Whether from the so-called “firm” or “gentle” school, they often involve big, fancy movements with a lot of complicated steps toward one single goal (it is like an artist who, not satisfied with drawing a simple snake, proceeds to put four beautiful and shapely feet on the snake).

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