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Hammond, Norman. 2005. “Clarifying Color in the Codex Mendoza.” Latin American Antiquity 16 (4): 467–68. https://doi.org/10.2307/30042510.

Haude, Mary Elizabeth. 1998. “Identification of Colorants on Maps from the Early Colonial Period of New Spain (Mexico).” Journal of the American Institute for Conservation 37 (3): 240–70. https://doi.org/10.1179/019713698806082822.

Howe, Kathleen Stewart. 1992. “The Relationship of Indigenous and European Styles in the Codex Mendoza.” In The Codex Mendoza, edited by Patricia Rieff Anawalt and Frances Berdan, 1:25–33. Berkeley, CA: University of California Press.

Kirby, Jo, Marika Spring, and Catherine Higgitt. 2005. “The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate.” National Gallery Technical Bulletin 26: 71–87.

López Luján, Leonardo, and Giacomo Chiari. 2012. “Color in Monumental Mexica Sculpture.” RES: Anthropology and Aesthetics 61–62 (March): 330–42. https://doi.org/10.1086/RESvn1ms23647839.

Magaloni Kerpel, Diana. 2011. “Painters of the New World: The Process of Making the Florentine Codex.” In Colors between Two Worlds: The Florentine Codex of Bernardino de Sahagún, edited by Gerhard Wolf and Joseph Connors, 47–76. Florence: Kunsthistorisches Institut in Florenz Max-Plank-Institut - Villa I Tatti The Harvard University Center for Italian Renaissance Studies.