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———. 2012. “The Traces of the Creative Process: Pictorial Materials and Techniques in the Beinecke Map.” In Painting a Map of Sixteenth-Century Mexico City: Land, Writing, and Native Rule, edited by Mary Ellen Miller and Barbara E. Mundy, 75–90. New Haven: Yale University Press.

———. 2014. Los colores del nuevo mundo: artistas, materiales y la creación del Códice florentino. Ciudad de México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas.

Miliani, Costanza, Davide Domenici, Catia Clementi, F. Presciutti, Francesca Rosi, David Buti, Aldo Romani, L. Laurencich Minelli, and Antonio Sgamellotti. 2012. “Colouring Materials of Pre-Columbian Codices: Non-Invasive in Situ Spectroscopic Analysis of the Codex Cospi.” Journal of Archaeological Science 39 (3): 672–79. https://doi.org/10.1016/j.jas.2011.10.031.

Miliani, Costanza, Francesca Rosi, Brunetto Giovanni Brunetti, and Antonio Sgamellotti. 2010. “In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach.” Accounts of Chemical Research 43 (6): 728–38. https://doi.org/10.1021/ar100010t.