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As we know, gung fu is aiming at self-cultivation, and the inner self is one’s true self. So in order to realize his true self, a gung fu man lives without being dependent upon the opinion of others. Since he is completely self-sufficient he can have no fear of not being esteemed. A gung fu man devotes himself to being self-sufficient and never depends upon the external rating by others for his happiness. A gung fu master, unlike the beginner, holds himself in reserve, is quiet and unassuming, without the least desire to show off. Under the influence of gung fu training his proficiency becomes spiritual, and he himself, grown ever freer through spiritual struggle, is transformed. To him, fame and status mean nothing.

Thus wu wei is the art of artlessness, the principle of no-principle. To state it in terms of gung fu, the genuine beginner knows nothing about the way of blocking and striking, and much less about his concern for himself. When an opponent tries to strike him, he “instinctively” parries it. This is all he can do. But as soon as his training starts, he is taught how to defend and attack, where to keep the mind, and many other technical tricks—which makes his mind “stop” at various junctures. For this reason whenever he tries to strike the opponent he feels unusually hampered (he has lost altogether the original sense of innocence and freedom). But as months and years go by, as his training acquires fuller maturity, his bodily attitude and his way of managing the technique toward no-mindedness come to resemble the state of mind he had at the very beginning of training when he knew nothing, when he was altogether ignorant of the art. The beginning and the end thus turn into next-door neighbors. In the musical scale, one may start with the lowest pitch and gradually ascend to the highest. When the highest is reached, one finds it is located next to the lowest.

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